Wednesday, December 5, 2012

Susan Boyle Role in Les Miserables

How Susan Boyle's song "I Dreamed A Dream" played a role in  the revival of Les Miserables.

Posted below are the thoughtful and sensible posts written by David Francis (davclas).  When you read through them, you will realize what an impact Susan Boyle had on the show "Les Miserables" when she sang "I Dreamed A Dream" on Britain's Got Talent on April 11, 2009.  Way before and up to 2009 the show ran its course, was downsizing and slowly fazing out. Then along came Susan Boyle in 2009 with her IDAD song that landed the video on YouTube where millions (600,000,000) and millions of people watched it and cried.  So many people "hit" YouTube that the video become the #1 most watched video in 2009, and is still being watched today.  Today, almost four years later, we are on the threshold of a gigantic opening of the movie "Les Miserables" at the end of December, early January.  So big, that the Academy Of Motion Pictures will probably give it its highest awards. It will receive all kinds of honors, accolades and, no doubt, overwhelming acclamation. It will rake in loads of money for everyone involved. 
I, and I believe David, as well as many other fans, are wondering and want to know if Susan Boyle will be recognized for her enormous role in the revival of "Les Miserables".  Is the music industry going to continue to ignore and not award her again and again?  Many fans will want to keep their eye on the events and be vigilant as to what will be done to recognize Susan's impact on the revival of this musical.  We must insist on fair play here, because during the past three years, Susan Boyle has been greatly ignored by the music industry.  Even though Susan Boyle has been extremely outstanding in her field, she has been overlooked by the radio and recording industry. When it comes to handing out awards and playing her music on the radio broadcasting stations, it doesn't happen.  Worldwide fans must demand the respect for their star and not tolerate the oversight. It is not acceptable to fans to see this inspiring world-wide professional singer ignored in her achievements.   Susan has proven her caliber with her tremendous success as a professional recording artist and must be recognized as the super star she is.  She deserves and qualifies to be included in any awards handed out to others in the field.  Let's see this happen. 


Below are David's transcripts:
davclas
davclas (David Francis)

Posted by davclas on November 30, 2012

After years of fighting the critics who would make Susan Boyle out to be less than what ‘we’ know her to be, I decided to take the time to make a definitive statement about what I believe to be the true nature of the Susan Boyle phenomenon. Over a period of weeks I have gathered the known record of available information on her and captured multiple videos in the real time in which they were made as this epic story unfolded.

What I ended up with is a narrative that acts like a movie within a movie of Susan’s dramatic appearance on the world stage. It tells, as well as shows, both the cause of Susan Boyle and the effect of Susan Boyle after she was caused. There are 15 panels (posts) each numbered in sequence according to the story that is being told. Included are 5 videos, 9 linked articles from various published accounts along the way as her story was unfolding. Information comes from personal accounts of producers, directors, actors, friends, acquaintances and Susan Boyle herself.

It will take about 25 minutes of undivided attention to read / watch this epic story. This is not a quick drive through McD’s for a burger on the run to somewhere else. In order to get the full impact of one of the greatest personalities to ever step onto the world stage, the narrative needs to be followed from beginning to end like a movie that you would pay good money to go see without interruption until after the final scene. If you don’t have 25 minutes, skip the whole thing until you do.

Susan Boyle already has a fantastic play about her long, circuitous journey to get to ‘her day’ here in the world. This presentation takes her story beyond that day and shows the incredible impact that this single, simple little lady in sensible shoes from anywhere has had on the world. She grabbed ‘hope’ out of a song that has now become, unmistakably, identified as her own and then gave it back to untold millions through the pure, angelic soothing sound of her voice and in the process gaining a loyal fan base second to none. It may be that the movie that will be made about her in the coming years will focus on this incredible aspect of the “Amazing Susan Boyle”. 

………………………No. 1………………………………

SOURCE: ---LES MISERABLES.WIKIA.COM-- ---INTERNATIONAL NEWS 1980’s--

HEADLINE: ----LES MISERABLES - 'A MUSICAL ERA BEGINS AS A POLITICAL ERA ENDS'----

The world had never experienced anything like it, as the decades passed under a worldwide cloud of future uncertainties. The Cold War between the Soviet Union and the United States was a half century of military build-up, political maneuvering for international support, and behind-the-scenes military assistance for allies and satellite nations that began in the late 1940s and continued into the early 1990s. After a whole generation had faced that subtle background possibility of a worldwide mutually assured destruction, things began to change. Finally, in December 1989, Soviet President Mikhail Gorbachev and U.S. President George Bush officially ended the Cold War at a summit in Malta.

Theater offers a temporary escape from a troubling world such as we had during the Cold War. Into this discouraged era came a new musical era with a storyline set against the backdrop of 19th-century France. It told an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption–a timeless testament to the survival of the human spirit in its fight within itself to do good over evil. In Les Miserables, the ex-prisoner Jean Valjean is hunted for decades by the ruthless policeman Javert after he breaks his parole. When Valjean agrees to care for factory worker Fantine’s young daughter, Cosette, their lives change forever. In the end, as all the pieces of Valjean’s life are understood for their purpose in one final reunion, he is able to realize that he has won life’s battle and is now able to pass in peace. The audience is carried through every emotion known to man but in the end is left with a resounding ‘hope’ to carry on. Thus, in 1985 came the transformation of that message of ‘hope’ just resting in the pages of a often forgotten book to live action musical drama on the stage in London. People instantly identified themselves with the triumphs and tragedies played out before them as they followed that spark of ‘hope’ weaving relentlessly onward to the end. 

That powerful story continued its draw year after year until it eventually became the longest running musical in the world.

The musical opened at the Barbican Centre in London, England on October 8, 1985. By 2006, after 21 continuous years, it became the longest-running musical in the world. It is also the third longest-running show in Broadway history.

A new tour, in commemoration of the 25th Anniversary of the London Production, ‘Les Miserables’ began performances at the Wales Millennium Centre in Cardiff on December 12, 2009. The tour continued in 2010 with performances in Manchester, Norwich, Birmingham, Edinburgh, Paris and London again. In January 2010, it played its 10,000th performance in London, at Queen's Theatre in London's West End. On October 3, 2010, the show celebrated its 25th anniversary Les Miserables has been seen by over 60 million people in 42 countries and has been translated into 21 languages (English, French, German (two from Austria and Germany), Spanish (three from Spain, Argentina and Mexico), Japanese, Hebrew, Hungarian, Icelandic, Norwegian (two in Bokmål and Nynorsk), Polish, Swedish, Dutch (two from the Netherlands and Belgium), Danish, Finnish, Brazilian Portuguese, Estonian, Czech, Mauritian Creole, Basque, Catalan).

Including singles and promos, there have been over 55 official recordings from its worldwide productions including the multi-platinum London cast recording and the Grammy Award-winning Broadway cast album as well as complete symphonic albums. The video of its 10th Anniversary Royal Albert Hall Gala Concert sold nearly 2,000,000 copies worldwide.

MAIN SOURCE LINK: 

……..'LES MISERABLES DOWNSIZES TO STAY ALIVE IN LONDON…….

……………...............No. 2................................

SOURCE: ---WhatsOnStage.com----

HEADLINE: ---LES MISERABLES BEGINS TO DOWNSIZE IN ORDER TO STAY ALIVE---

By: Terri Paddock 13 February 2004<< As the years passed no film adaptation of the stage musical was ever produced. A film adaptation had been in development several times since the late 1980s. Alan Parker was reported to be connected to an adaptation at an early stage. In 1992 Cameron Mackintosh announced early planning for a film to be directed by Bruce Beresford and co-produced by Tri-Star Pictures, but the project was ultimately abandoned.

According to Terri Paddock’s article below impresario Cameron Mackintosh confirmed that Les Miserables would move as planned from the grand 1,400-seat Palace Theater to the smaller 990-seat Queen’s Theatre in April 2004. The transfer appeared somewhat threatened when members of the Musicians Union protested over a reduction in the show’s orchestra.

The Musicians Union was “vehemently opposed” the introduction of the Sinfonia, which stores samples of every instrument in a score and then allows an operator to simulate performances without conventional musicians.

‘Les Miserables’ became the first show to employ the Sinfonia in the UK, and many feared that it would set a dangerous precedent. A similar dilemma arose later on Broadway, when theatre owners and union officials wrangled over a proposed abolition of orchestra quotas causing a 4 day strike that cost millions in lost revenue.

Les Miserables' final performance at the Palace Theater was on 27 March 2004, and its first performance at the Queen’s Theater was on 1 April, 2004. Years later, Mackintosh admitted that he could have pulled the plug on Les Mis but didn’t.

MAIN SOURCE LINK:

……..'LES MISERABLES DOWNSIZES TO STAY ALIVE IN LONDON…….

.................................No. 3………………………

SOURCE: ---PLAYBILL.COM ---

HEADLINE: ---PRODUCER MACKINTOSH ‘GOB-SMACKED’ BY BOYLE’S “I DREAMED A DREAM”---

BY: Mark Shenton POSTED: April 15, 2009

The rendition of Les Misérables' "I Dreamed a Dream," performed on the U.K. weekly ITV Channel TV show "Britain's Got Talent" by unemployed singer Susan Boyle, has turned the song into a hit tune all over again. The performance by the 47-year-old on the show, which aired April 11 and was watched by an average of 10.3 million viewers, has been viewed over four million times on YouTube already

In a press statement, producer Cameron Mackintosh has echoed the comments of judges Simon Cowell, Piers Morgan and Amanda Holden, saying, "Just like the judges and audience I was gob-smacked by the emotional powerhouse performance of Susan Boyle's show stopping rendition of 'I Dreamed a Dream.' Vocally it is one of the best versions of the song I've ever heard. Touching, thrilling and uplifting. I do hope she gets to sing it for the Queen."

“I Dreamed a Dream” is the show-stopping song performed early in the first act of Les Misérables by the ill-fated Fantine. Patti LuPone created the role on the West End stage

MAIN SOURCE LINK:

….PRODUCER MACKINTOSH GOB-SMACKED BY BOYLE'S I DREAMED A DREAM SONG ON YOUTUBE......

.................................No. 4………………………

SOURCE: --- The Telegraph (London)---

HEADLINE: ---SUSAN BOYLE CAUSES ‘LES MISERABLES’ IN LONDON TO SELL OUT---

POSTED: 3:09PM BST JUNE 11, 2009

Susan Boyle is causing sell out performances of Les Miserables in London's West End after her rendition of “I Dreamed A Dream” for Britain's Got Talent.

Sales of tickets for the long-running musical have increased by 46 per cent since Boyle performed the song in the first round of the talent show.

Mark Bower, head of lifestyle products for LASTMINUTE.COM who discovered the rise said: " There has been a clear knock-on effect from Susan Boyle singing 'I Dreamed a Dream’.

"After her performance ticket sales shot up almost overnight and have maintained a consistent level of popularity."

MAIN SOURCE LINK:

…SUSAN BOYLE CAUSES 'LES MISERABLES' TO SELL OUT IN LONDON….

..................................No. 5………………………

SOURCE: ---GLOBE AND MAIL POST (TORONTO) ---

HEADLINE: ---SUSAN BOYLE SENSATION SENDS VANCOUVER LES MIS SALES THROUGH THE ROOF---

Knestruck Published Friday, April 17, 2009 5:38pm, EDT

By now, you've no doubt heard about or just plain heard Susan Boyle, the older-than-40-year-old virgin whose astounding and inspiring rendition of "I Dreamed a Dream" from Les Miserables on Britain's Got Talent has turned into one of the hottest viral videos of all time. I mentioned Boyle here on Wednesday, but I was just one of hundreds of thousands of people who have Twittered, blogged or emailed the link around.

Boyle is a bona fide celebrity now and her story has spawned reams of media coverage in the past week. And all that attention - 21,249,741 YouTube views and counting - is not just benefiting Boyle and Britain's Got Talent, but also increasing awareness of the show she sang from: ‘Les Miserables’. Now, ‘Les Miserables’ doesn't really need a boost - Alain Boublil and Claude-Michel Schönberg's musical adaptation of Victor Hugo's novel has been running on the West End in London for a whopping 23 years and counting. Since October 2006, it has held the title of the world's longest running musical.

But publicity never hurts. In Vancouver,the Arts Club theatre is about to open a production of Les Miserables on May 14 and since Susan Boyle's video started being emailed around, they've seen ticket sales for the show double. Yes, double. The Arts Club box office staff started to notice sales something was up on Wednesday. According to spokesperson Nicole McLuckie, "Tuesday [the box office]was up about 40%. Wednesday was up by about 115%. And yesterday it was about 250%." Incredible! No wonder they're calling Boyle the "The Scot heard round the world". Sara-Jeanne Hosie, the actress playing Fantine (who sings "I Dream a Dream"), has been forwarded the Boyle clip so many times that she's started answering the phone "Susan Boyle's understudy." "I'm excited that, with her spirit and incredible voice, Susan Boyle has connected people to the beauty and power of this song," says Hosie. "But mostly it's a relief that if I get hit by a bus, the Arts Club knows exactly who to ask to replace me!"

MAIN SOURCE LINK:

.....SUSAN BOYLE SENSATION SENDS VANCOUVER TICKET SALES FOR 'LES MIS' THROUGH THE ROOF…..

..................................No. 6………………………

SOURCE: ---TECHDIRT.COM---

HEADLINE: ---SUSAN BOYLE’S YOUTUBE STAR TURN REVIVES INTEREST IN LES MISERABLES---

POSTED: Tuesday, April 21, 2009 9:17am

BY: "from the we’ll-check-that-out dept"

As the recording industry continues to freak out about videos on YouTube without compensation, the whole media sensation Susan Boyle phenomenon is showing how such videos on YouTube clearly act as promotion for the music. Paul Kedrosky notes that Boyle's now famous rendition of a song from Les Miserables has shot the Les Mis CD up from the previous rank of 1,000 to number 32 on Amazon's sales charts, while Mathew Ingram notes that tickets for the live performance of Les Miserables have also skyrocketed.

MAIN SOURCE LINK:

….SUSAN BOYLE'S YOUTUBE STAR REVIVES INTEREST IN 'LES MISERABLES'…..

..................................No. 7………………………

HEADLINE: ---LES MISERABLES COMPOSER CLAUDE-MICHAEL SCHONBERG on SUSAN BOYLE PHENOMENON----

TRANSCRIPT:

>>Never in my life have I felt such an ‘Amazing’ connection between a person and a song.

>>Even as a conductor, I can tell you that the words of this song, I Dreamed A Dream, are just as important as the music, maybe even more.

>>Someone who sings her life so well, I have not seen that.

>>I’ve seen an actor find the role of his life, or a singer find the song of their life. But, to this extent, I have not seen that.

>>For us (as composers) it was a gift from heaven for the show (Les Miserables), as well.

>>The first time in my life, without doing anything, I wake up and I have 40 emails.

>>I had no idea what was going on.

>>Then she sold 5,000,000 albums!

>>There is a show about her life called “I Dreamed A Dream”.

>>Reality TV was never my thing, but it caught up with me really fast.

SOURCE: ---YOUTUBE ---



..................................No. 8………………………

HEADLINE: ---SUSAN BOYLE’S ‘I DREAMED A DREAM’ ALBUM SETS WORLD RECORD----

SOURCE: ---YOUTUBE ---



..................................No. 9………………………

HEADLINE: ---SUSAN BOYLE SETS MORE RECORDS WITH 2ND ALBUM ‘THE GIFT’ IN 2009----

SOURCE: ---YOUTUBE ---



………........................No.10........................

SOURCE: TV.BROADWAYWORLD.COM

HEADLINE: ---WEST END’S LES MISERABLES’ UPGRADE---

BY: MamasDoin'Fine POSTED: Feb 17, 2011

As you read this piece by MamasDoin’Fine it becomes clear that Les Miserables was in the middle of an unexpected resurgence away from the direction that it was headed in back in 2004. It was throwing off the old handicapping baggage (the sinfonia or virtual orchestra) that had been used in its downsizing in 2004 in order to keep it alive and was now expanding the orchestra once again. What high powered locomotive engine was now driving the world’s greatest musical to renewed heights after 25 years even though it was supposed to be in its twilight years, as stage musicals go?

‘Les Miserables’ composer, CLAUDE-MICHAEL SCHONBERG clearly knew the answer within a few months after the appearance of Susan Boyle on the world stage with her spellbinding performance of IDAD. He said “For us it was a gift from heaven.” By the time of this article in 2011, the original “I Dreamed A Dream” YouTube video by Susan Boyle had been viewed 600,000,000+ times and she had produced 3 No.1 albums with sales of 18,000,000 or more and had become only the second person ever to match the Beatles with 2 separate No.1 albums in both the US and the UK in the same year (2009).

MamasDoinFine quotes the producers as saying, "This new (expanded) line-up does require us to look again at the make-up of the orchestra. I am terrifically grateful to the current orchestra for the work they have done over the years and I hope that as many of them as possible will be able to remain with us for the next stage of the show’s life".

The London version of 'Les Miserables' is currently the only production of the musical that does not use the new (expanded) orchestrations, and producer Cameron Mackintosh, who is also set to bring a new sound design into the West End show, said he owes it 'to both new audiences and the fans to incorporate them'.

Nicholas Allott, managing director of Cameron Mackintosh Limited, explained that he had met with the players recently to discuss plans to introduce the new orchestrations. He said the updated score has new 'doubling and trebling', which relates to the number of instruments each musician is required to play as part of the orchestra Allott said that, contrary to rumors within the industry, none of the players is on notice.

Alain Boublil and Claude-Michel Schonberg, the show’s authors, said the new orchestrations 'are in parts more difficult to play than the original and require some adjustments to the orchestra line-up'.

"Nevertheless we fervently hope that many of the current orchestra will remain with us in the continuing life of Les Miserables", they said.

When the show moved to the Queen’s Theatre in 2004, Mackintosh came under criticism for scaling back the orchestra size and introducing a sinfonia - described as a ‘virtual orchestra’ - instead.

However, Allott said the new orchestrations are 'more acoustic in nature and rely less on electronic sounds', which will mean the sinfonia (virtual orchestra) will no longer be used.

MAIN SOURCE LINK:

....'LES MISERABLES' EXPANDS ORCHERTRA - ELIMINATES SINFONIA….

...................................No. 11………………………

SOURCE: ---VARIETY.COM 2011---

--International News—

HEADLINE: ---MARATHON SUCCESS FOR ‘LES MISERABLES’----

26-Year-old Musical Resurges on London’s West End and on the Road

POSTED: Sat., Apr. 9, 2011, 4:00am PT

BY: David Benedict

--LES MISERABLES--

LONDON -- Now in its 26th year, the original London production of "Les Miserables" is the world's longest runner -- and currently carries its largest box office advance ever at £5 million ($8.2 million), an astonishing figure for a show of that vintage.

Meanwhile, the three-year worldwide tour of the new version is playing to audiences between 97% and 105% of capacity across the U.S., with further incarnations set for Spain, Japan, South America and South Africa. Later this year, Tom Hooper (Director -"The King's Speech") will direct the movie version from a script by William Nicholson.

The "Les Miz" resurgence is a surprise even to the show's producer, Cameron Mackintosh.

He admits he could have pulled the plug. But the musical got traction and began to build. "It was partly the 21st anniversary, partly Susan Boyle," he says, crediting her version of one of the show's big hits.

MAIN SOURCE LINK:

.....SOURCE.....

...................................No. 12………………………

SOURCE: ---EXAMINER.COM ---

HEADLINE: ---BROADWAY GLOBAL ANNOUNCES 2012 MOVIE AWARD FOR ‘LES MISERABLES’---

BY: RICHARD CAMERON OCTOBER 14, 2012

The old days of taping the sound like Grease, Chicago, Nine, Victor Victoria, Evita... then having the characters match the songs they had sung months before, is just memories of the past. Movie musical characters were stale or robotic as they tried to match a recorded studio performance with acting beats to songs that the stars would lip sync to.

But now Les Misérables, the movie, has changed all of that, by having the story told live, with the characters singing the songs live as they are filmed. Les Misérables film version is the most talked about movie musical of this century.

Who knew a story on revolution would be revolutionary for the future of movie musicals. Les Misérables is one of the longest running musicals of all time, producer Cameron Mackintosh opened the English version in London in 1985. When the Broadway version opened in 1987 the musical was nominated for twelve Tony Awards, winning eight of them, including "Best Musical" and "Best Original Score." Now the Academy Awards, Oscars could be in the mix because "At the End of the Day" Les Misérables is groundbreaking for musicals.

Les Misérables, the movie musical version, is inspired by the most popular Broadway musical of all time and has broken the sound barrier. 

Highlighted with a 70 piece orchestra this movie is ground breaking for musical theatre, as the Les Misérables characters tell the most beautiful love story ever told, singing live as they were filmed. It has received the "Broadway Global 2012 Movie Award" and is the”Theatre Chat” top pick for one of the best musicals ever written.

Les Miserables is a tale that makes you think about the kind of person you want to be. The main character chooses a very difficult path. He chooses to do good and be honest and have integrity at a time when many around him are corrupt, desperate and immoral. It's a path that leads to all kinds of adventures and, in the end, is more rewarding than he could ever have imagined. And that's why this story really gets people in a very deep place. That's why audience members are on their feet with tears in their eyes. Because in a way, Les Mis is about all of us.

MAIN SOURCE LINK:

…BROADWAY GLOBAL ANNOUNCES 2012 MUSICAL MOVIE AWARD FOR LES MISERABLES….

...................................No. 13………………………

HEADLINE: ---OFFICIAL ‘LES MISERABLES’ MOVIE TRAILER 2012---

SOURCE: ---YOUTUBE ---



..................................No. 14………………………

SOURCE: ---COLLIDER.COM---

HEADLINE: ---LES MISERABLES FIRST SCREENING EARNS APPLAUSE AND STANDING OVATION---

BY: Dave Trumbore

POSTED: November 23, 2012 7:07pm

Not since 2002′s Chicago has a musical feature been a serious Oscar contender for Best Picture, but early reactions indicate that the trend could change this year. Each musical number of ‘Les Miserables’ was followed by raucous applause with the principal cast taking the stage to a standing ovation at the end of the film. It looks like Christmas has come early for the cast and crew.

The film stars Hugh Jackman, Anne Hathaway, Russell Crowe, Amanda Seyfried, Eddie Redmayne, Samantha Barks, Helena Bonham Carter, and Sacha Baron Cohen. Les Miserables opens on December 25th.

The first audience reactions to Les Miserables were reported by THR from the first screening at the Lincoln Center’s Alice Tully Hall. Tom Hooper, director, who had just finished his first Thanksgiving meal, shared what he was thankful for this year:

“I’m grateful that I finished it [the film]… I’m grateful to the thousands of people who have been on this journey, particularly the wonderful cast… and I’m grateful to Victor Hugo[who wrote the novel upon which the Broadway play upon which the film is derived], who unfortunately can’t be with us.”

Scott Feinberg, THR reporter, also highlights Hooper’s strong chances for Best Director, names Hathaway as a frontrunner for Best Supporting Actress, says that Jackman’s Valjean role was custom-made for him though it may not be enough to earn him even a nomination this year in a crowded category, commends Crowe’s vocal abilities as Javert and says that Barks, Seyfried and Carter could also contend for Best Supporting Actress nominations. There is also the original song, “Suddenly,” that was written specifically for the film and will likely be a contender.

Let’s take a look at some of the reactions from viewers via Twitter:

Kristopher Tapley ‏@kristapley Hathaway wins. GOD. I wept. Film’s a triumph. They’re on their feet here. NYC crowd ate…it…up. #lesmiserables

Wilson Morales ‏@blackfilm Standing O for #LesMiserables! Amanda Seyfried, Anne Hathaway, Eddie Redmayne, Samantha Barks are on stage now 

for Q & A.

For those who are theater purists, you will LOVE #LesMiserables! Hooper did it right. Having Barks play role again but on film was great!

DaveKarger ‏@davekarger First #LesMiserables screening went over extremely well. I’d call it a sure thing Picture nominee for Oscar and the 

probable Globe winner. Hugh Jackman has a great shot to bump out Denzel or Joaquin in the Best Actor race. His singing is quite impressive. 

#LesMiserables

Anne Hathaway could easily win supporting actress. Her “I Dreamed a Dream” is the showstopper. #LesMiserables

Steven Zeitchik ‏@ZeitchikLAT Hathaway is a stand-out, albeit in very few scenes; Jackman and Crowe singing is solid but doesn’t reach for as much. 

#LesMiserables

Julie Stone ‏@Julie_Stone #LesMiserables screening audience burst into applause after songs and gave a long standing ovation during the credits.

Samantha Massell ‏@smassellsings Still reeling from the amazingness that was today. #lesmiserables#firstEVERscreening

In case I wasn’t clear, the #lesmiserables movie is absolutely UNREAL. Ten million points to #TomHooper for doing this musical movie RIGHT.

Jennifer Ravalli ‏@JennNYU Got to be one of the first people to see #lesmiserables today @SAGscreening! It was amazing! Totally love the brilliant 

#eddieredmayne

Jo Foster ‏@jo1foster Sobbed my eyes out. Les Miserables. WHAT AN EPIC MOVIE. #lesmiserables

Lucy Gibson ‏@LucyRGibson Can’t say too much about #lesmiserables until its release but I will say this: it grabs your heart and squeezes it till you 

cry like a baby I’m going to call it early but #lesmiserables has Best Picture written all over it

I’m going to call it early but #lesmiserables has Best Picture written all over it

In December 2012, the world’s longest-running musical brings its power to the big screen in Tom Hooper’s sweeping and spectacular interpretation of Victor Hugo’s epic tale. With international superstars and beloved songs–including “I Dreamed a Dream,” “Bring Him Home,” “One Day More” and “On My Own”–Les Misérables, the show of shows, is now reborn as the cinematic musical experience of a lifetime.

NOTE: Currently, ‘Variety.com’ ranks, by volume, the online views of all ‘new movie trailers’ (those within 10 weeks of their release date) and has the new Les Miserables Movie Trailer listed in its ‘Top Ten’ of all movie trailers. YouTube’s numbers show the trailer averaging about 15,000 views a day and currently standing at 2,398,046 views as of Nov 26.

MAIN SOURCE LINK:

...'Les Miserables' Movie Reviews...

....................................No. 15………………………

HEADLINE: ---‘SUSAN BOYLE SAGA’ IN HER OWN WORDS----

SOURCE: ---YOUTUBE ---



.................................No. 16………………………

SOURCE: ---THE HEART ---

HEADLINE: ---MAKING A DIFFERENCE IN THE WORLD”---

BY: David Francis November 30, 2012

As we gather together at this time of year with our family members and others that we love, it is worth our while to contemplate those who forced to go through loses of one kind or another that they have not chosen for themselves. If we were in their shoes, how would we cope? What would we do with similar circumstances to those that they have found themselves in? Well?

What if it was not just us, but thousands all around us, or millions in our country or even 100’s of millions around the world who were all suffering with economic and personal losses the likes of which had not been seen in a hundred years? That was just exactly what condition the world was in at the end of 2008 and the beginning of 2009. Headlines read “Markets Fall as Slump Spans World”, “Manufacturing Tumbles Globally”, “Crisis Deepen as Banks Fail” and “Families Feel Pressure”.

In the midst of all this worldwide disquiet and discouragement lived a lonely, middle-aged little single lady who had lost the last remaining member from her family home (her mother) a year earlier and who was now forced to live completely alone in the home that had been her life for 47 years. 

She faced the very kind of discouraging circumstances that multitudes were facing on an unprecedented scale. How would she ever make a difference in life at her age and circumstance? Let’s see.

Upon her mother’s dying wish, Susan Boyle took the one gift that she knew she possessed as a natural gift (from God) and made an offering of it to a gathering of 2,000 people assembled in an auditorium who for the most part were looking for hapless dreamers to laugh at and make fun of. As Simon Cowell stated later “The audience could smell blood”. She chose the one song that perfectly told her life story, I Dreamed A Dream. When she opened her mouth she began the process of slaying misjudging hearts, first by the thousands in that auditorium but over time growing to hundreds of millions around the globe as her YouTube video broke records almost daily until reaching in excess of 600,000,000 views of her performance.

Susan Boyle took a depressed and discouraged world by storm without looks or fame but with a voice that uttered ‘hope’ in every breath and people responded by the countless millions. But that was just the beginning. Against all odds and in spite of plenty of skeptics, she stayed her intended course and roared out the gate with this fastest selling album in history. Then she turned out a second No. 1 album in the same year 

(2010) something that hadn’t been done since the Beatles. But an even greater impact than all of these may be to have ultimately been responsible for the resurgence of the longest running musical in the world, ‘Les Miserables’. After running continuously for 19 years at the same theater in London, it was moved to a theater one third smaller and reducing the orchestra in response to smaller audiences (2004). A movie that was to be based on the musical had been considered at different times during the previous years but was ultimately abandoned.

Today, in light of the powerhouse presence of the Susan Boyle phenomenon planted right in the middle of Les Miserables because of her impact on the song I Dreamed a Dream, new life has exploded around the world for this musical to such an extent that a movie based on the musical has risen out of the ashes of long abandoned hopes, much like the resurgence of ‘hope’ that has been experienced by millions on a personal level.

Finally, I can think of no better example of someone who took her adversities in stride and, though sometimes buckling but never breaking, said to the wide world “I” “Have” “Hope” and then set out to prove it. So, this Christmas, when you take your family to see the blockbuster movie about the greatest musical to ever have been staged (and you should see it) remember that somewhere in a small town in Scotland sits the one person on the planet who just might be more responsible for all this grandeur that you are watching on the screen than all the multitudes who actually were able to create what you are looking at. Awards may flow like honey in the wake of the early reviews for this movie but it was dead in the water before Susan Boyle took the chance to make a difference in her circumstances and the world. Has she made a difference in your life? She has made an incredible difference in mine!!

....... David Francis

As Posted on 

http://theamazingsusanboyle.magnify.net/messages/view/S8KH7C1CK9C75SLZ






Sir Cameron Mackintosh explains the success of Les Miserables

As Les Miserables celebrates its 25th anniversary with a concert at the O2 Arena, Sir Cameron Mackintosh explains the secret of its enduring success.



Would Les Miserables have reached its 25th anniversary without Susan Boyle? Yes. Would it have sold 57 million tickets? Sir Cameron Mackintosh thinks not.
"Until Susan Boyle it was the great score that never had a hit song. How wonderfully ironic that it took someone who was just an ordinary person to give a song a hit life," he says.
Sir Cameron believes that Boyle's choice of I Dreamed A Dream for that Britain's Got Talent audition was the biggest blessing his show could have received.
"Her connection with the material was quite extraordinary. There was something in the lyric and something autobiographical in that song that she released, and she took the public imagination with it – not by trying to have a hit but by trying to get a job and do something with her life. And that's something that no so-called expert can ever understand.
"It was so wonderful, it was completely artless and yet unutterably powerful."
But did she really boost the popularity of the world's longest-running musical to a significant degree? "Oh yes. Of course! She reawakened it in people. The show had been doing pretty well but it definitely jumped up there. This ricocheted around the world and it was the publicity shot anyone would dream of, although of course it would never happen if you tried to make it a publicity stunt.
"It was 'I Dreamed A Dream from Les Mis' and they don't normally mention where a song comes from. Everywhere in the world people went, 'Oh, I know that song, I didn't know it was from there, I'd like to go and see it'."
Boyle or no Boyle, the success of Les Mis is staggering. It has played for 45,000 performances in 42 countries, been translated into 21 languages, including Mauritian Creole, Icelandic, Japanese and Hebrew.
No wonder Sir Cameron has staged a month of celebrations. A revival at London's Barbican – where the show began, as an RSC production – in 1985 – ended on Saturday and today sees a lavish concert at the O2 Arena. The cast included Lea Salonga, who first played Eponine on Broadway; Matt Lucas, the Little Britain star; Nick Jonas, the teen pop sensation; and the Tony Award-winning Alfie Boe.
Why do theatregoers fall in love with Les Mis? "It's all about Victor Hugo's story. Sometimes I think, 'I can't possibly watch more than 10 minutes tonight' and I find myself 45 minutes later completely drawn into it. And it's a story that's entirely contemporary because it's a brilliant observation of human nature."
Sir Cameron is good company. He'll happily sally forth on any topic, from television reality shows like I'd Do Anything ("I used to dream of getting shows plugged on television. Here is the BBC giving the musical theatre a showcase on a Saturday!") to the pointlessness of many university degrees ("it's not the panacea for people getting a job any more, and the creative arts are, actually").
The one blot on the landscape is the ongoing feud with Sir Trevor Nunn, who has accused Sir Cameron of a grand "betrayal" by leaving him out of the 25th anniversary celebrations. Sir Trevor and John Caird directed the original Barbican production and Sir Trevor is furious that he has not been invited back.
With the worst possible timing, Nunn has been appointed as the Cameron Mackintosh Visiting Professor of Contemporary Theatre at St Catherine's College, Oxford. He is due to give his inaugural lecture in two weeks. Sir Cameron has no plans to attend.
I ask if they are back on speaking terms? "No, actually, and given that Trevor Nunn is about to take over the chair this month of my professorship at Oxford, I just think Trevor's been very silly.
"Trevor is entitled to his own opinion, but it's sad. He hasn't actually directed Les Miserables on his own, or at all really, since 1987.
"I sent him a little note saying, 'Don't be so silly. Your memory is as bad as your manners'. But listen, I've got nothing to talk to him about. Trevor sees the world the way he sees it." Won't the two men have to speak to each other at Oxford? "Not necessarily."
His relationship with Andrew Lloyd Webber is in ruder health. "We are friends and rivals. But as we're both in our sixties now we're much more friends than rivals. We've survived in an extraordinary world and the fact that our shows still wanted 25 years after it's amazing. There's nothing for us to be rivals about now.
"Andrew and I have been going on so long now that of course we've gone in and out of fashion. For years everyone said we'd ruined musical comedy because everyone sang through everything. That I've lived long enough for musical theatre to become fashionable is the biggest surprise of my career."
Clearly a man still in love with his job at 64, he believes musical theatre is "remarkably buoyant" and will survive any downturn.
"I suspect people will just be more careful what they spend. For 20 years we've been told by the government and every advert on radio, 'You can have that', but do we need it? Certainly with the Great Crash of the 1930s, entertainment was one of the things that actually did stay reasonably buoyant, because in the end people are not going to pack up and just face the wall. The majority of the country will carry on, if not as usual, then trying to enjoy life as much as they can because that's what we're like as human beings."
Les Mis, along with Cats, The Phantom of the Opera, Oliver! and Mary Poppins, have helped to make Sir Cameron rich. He claims never to read his own press but says the last Rich List estimate of his wealth was "fairly accurate". The figure was £635 million. "But you know, none of these figures means a light unless you want to sell them and if you've got a buyer, and I'm interested in none of it. I don't spend a fortune."
He has "some lovely houses" including a farm in Somerset and an estate in Scotland, but doesn't go mad with his money. "I've taken considerable gambles on shows but they're very considered gambles. I don't like being in debt and I wouldn't borrow money for anything. I try and make every pound I put on the stage look £5. Early on I never had any money to lose, but in those wonderful days before the web and the net I had cheques rather than bank transfers so nobody ever realised how much money I didn't have."
A one-time Labour donor who voted for Tony Blair in 1997, Sir Cameron switched his support to David Cameron and is now scathing about the New Labour project. "At that time I thought it was time to get rid of the Conservatives. Now I'm totally thrilled we've got rid of the Labour people. New Labour, Old Labour, whatever. It was just hard labour. I hate waste and there's no point having new ideas if you don't know how to implement them."
The one Labour figure for whom he does have great affection is Peter Mandelson. "He's just the best fun. He's one of the brightest men you'll ever meet. I don't necessarily agree with all his politics but I think if I had to choose someone to go and spend time with, he'd certainly be very high on my list because he really is a terrific guy."
Next up on Sir Cameron's endless to-do list is a film version of Les Mis, from the people at Working Title, and a new London production called Betty Blue Eyes, based on the farce A Private Function. It is directed by Sir Richard Eyre and opens in April 2011. The film starred a real life pig. Sir Cameron is keeping his porcine star under wraps for now. "Believe me, we're going to make sure Betty is one of the most marvellous stars of the West End stage. Betty's not to be truffled with." And he bursts out laughing.
http://www.telegraph.co.uk/culture/theatre/8039636/Sir-Cameron-Mackintosh-explains-the-success-of-Les-Miserables.html

Sunday, November 25, 2012

Posted by CanadianBill








http://www.amazon.com/Standing-Ovation-Greatest-Songs-Stage/product-reviews/B009G7ZYPY/ref=cm_cr_pr_top_helpful?ie=UTF8&showViewpoints=0




Posted by CanadianBill

c

Saturday, November 24, 2012

I will be happy to go to Susan's album party.  Please invite me.




Thank you Canadian Bill. 
Great poster, even greater accomplishment by Ms. Susan Boyle!

View Post

Tuesday, November 20, 2012

Poster on Twitter

Wonderful creation by Canadian Bill.  
Four CDs and a show all in three years.  Not bad for one wee Scottish lassie, who everyone wrote off for 47 years. Keep going Susan, you are doing really, really well.  Your latest CD "Standing Ovation" is a masterpiece of songs from the musicals. What a voice and what a great personality! Thank you, Susan.

Friday, November 16, 2012

On Susan Official Site

New feature on Susan's Official site: there is a hover feature that allows you to hover over interactive album cover to access content - Click on link below:

http://www.facebook.com/susanboyle?sk=app_122951281158671#tl-4df1138b

Thursday, November 15, 2012


Posters below all done by Canadian Bill.
Thank you CBill for the marvelous posters.
Photobucket



Photobucket


Photobucket




Photobucket



Photobucket
Thank you Canadian Bill. 
Great poster, even greater accomplishment by Ms. Susan Boyle!

View Post

A NOTE TO ALL RADIO STATION WHO LOOK HERE

Canadian Bill has produced this marvelous poster:  

Susan Boyle's 4th  CD "Standing Ovation" came out November 13, 2012.  The CD is magnificent!  Simply outstanding and should be played on the radio stations world-wide.  I urge all stations to give it a spin.  Your listeners will love it.

Friday, November 2, 2012

For full article click on link below:


http://msl1.mit.edu/furdlog/docs/2011-11_rolling_stone_music_economics.pdf



In the old days, it was much easier for pop stars to keep up with how much they were getting paid. Somebody
would buy a CD at a Tower Records for $15 and a few dollars would appear months later on the star's royalty
sheet. Then iTunes took over the record business, and it was even easier (if not more profitable) – every time
somebody bought a 99-cent track, a few pennies went into the artist's bank account.
Those were such simple times. Today, music fans play free music videos on YouTube, stream songs for free
on Spotify, MOG or Rdio, customize Internet radio stations on Pandora or Slacker and consume music a
zillion different ways. The fractions of pennies artists make for each of these services are nearly impossible to
track – at least for now. "People like to simplify this and say, 'There's no money in it,'" says Jeff Price,
founder of TuneCore, which charges artists to place songs directly into iTunes, Spotify and others. "But it's
complex, it's complicated and it's still being worked out."
So you're Adele, the year's biggest pop star. Your songs stream on Spotify – or MOG, Rdio, Pandora orYouTube. You still sell downloads through iTunes and Amazon, and you still sell old-fashioned CDs in oldfashioned record stores. How much do you get paid?
Rolling Stone talked to several sources in the music business and got several different answers.

Monday, October 29, 2012

Elaine C Smith on BBC Radio Scotland


SAG-AFTRA National Board Will Consolidate To 25 Locals; Financial Update Kept Secret; 2 Unions’ Pension & Health Plans To Merge

LOS ANGELES (Oct. 28, 2012) – The National Board of Directors of SAG-AFTRA met in a scheduled two-day plenary this weekend at the Sheraton Universal Hotel in Los Angeles.
With the merger approved and the process of integrating operations of the two unions well under way, the board discussed the consolidation of locals nationwide. When the unions merged in March, every location in which either Screen Actors Guild or the American Federation of Television and Radio Artists had an office became a local of SAG-AFTRA. In streamlining the organization to best serve members, the original 33 locals were consolidated into 25.
The National Board unanimously voted to approve the following locals: Atlanta, Arizona-Utah, Chicago, Colorado, Dallas-Fort Worth, Hawaii, Houston-Austin, Los Angeles, Miami, Michigan, Missouri-Kansas City-Nebraska, Nashville, Nevada, New England, New Orleans, New Mexico, New York, Ohio Allegheny, Philadelphia, Portland, San Diego, San Francisco-Northern California, Seattle, Twin Cities, Washington-Mid Atlantic.
When the union’s permanent governance structure is in place in September 2013, the number of national board seats allotted for the 25 locals will be 70. The two largest locals, Los Angeles and New York, will have 28 and 16 board members respectively. The 10 national officers also serve on the SAG-AFTRA national board bringing its total size to 80.
Members reviewed and approved nominations and elections policy recommendations for the new union, leading up to its first national convention in 2013.
Co-Presidents’ Report
Co-President Ken Howard opened the meeting and spoke of the work the union’s staff has undertaken since merger and recognized the many members he has met with in the last 6 months who have expressed their approval with the merger. He also read the honor roll of members who have passed away since the previous board meeting and led a moment of silence in their memory.
Co-President Roberta Reardon reported all national committee chairs and members have been selected. She also reported that the Commercials Negotiations Wages and Working Conditions process has concluded member meetings.
Later in the meeting, members received an additional update on the negotiations process from Assistant National Executive Director for Contracts and co-lead negotiator for the commercials agreement, Ray Rodriguez. Rodriguez recommended, and the board approved, adding an additional seven alternates to the W&W Plenary Committee and Commercials Negotiating Committee. The addition of 7 alternates brings the committee total to 17 members and 16 alternates including the national chair, three vice chairs and a local and regional codes liaison. The W&W Plenary at which the recommended proposals will be reviewed and adopted is scheduled to take place on Nov. 17 and 18 in Los Angeles.
National Executive Director’s Report
National Executive Director David White updated the board on the union’s operations including a report on the already announced voluntary severance program. White’s report included an overview of SAG-AFTRA’s music-related jurisdiction, including our Sound Recordings Agreement and other contracts, presented by Randall Himes, Assistant National Executive Director for Sound Recordings.
Executive Vice President’s Report
National Executive Vice President Ned Vaughn reported to the board on the union’s continued relationship with the USO and planned events coming up for Veteran’s Day and the holiday season. Vaughn urged members to participate in troop support activities held at their locals.
Co-Secretary Treasurers’ Report
The reports Co-Secretary Treasurers Amy Aquino and Matt Kimbrough provided an update on the union’s financials and reviewed the first quarter results.
General Counsel’s Report
Members also received the regularly scheduled report from legal counsel including a report on the SAG-AFTRA foreign royalties program. Chief Administrative Officer and General Counsel Duncan Crabtree-Ireland reported that the union has distributed $14.59 million to members that if uncollected, would have been lost to members forever.
Executive Committee Report
The Board received a report on the Local Assignment of SAG-AFTRA members as well as the Member Category designation for each member. In accordance with the principles set forth in the SAG-AFTRA Merger Agreement, members have been assigned to Locals based on a roster of zip code assignments. Local assignment may affect a member’s eligibility to run and serve as a member of the National Board or Local Board and Convention Delegate from the member’s local area in future elections
The recently distributed November dues bill includes a check box for members to self-select their member category from among the listed choices. In accordance with the SAG-AFTRA Constitution, to be eligible to serve as a category National Vice President a member must have been declared a member of that category for the twelve (12) months prior to the date of his or her nomination. Similar requirements may exist for other elected category representative positions if provided for in the applicable local constitution. Declarations that are made no later than December 31, 2012, will be deemed to be retroactive to the inception date of SAG-AFTRA. This selection has no impact on a member’s ability to work under any SAG-AFTRA agreement and will only be used internally for union elections and governance purposes.
Pension, Health & Retirement Report
The Board received a report on the progress of reciprocity and/or merger of the SAG-Producers Pension & Health Plans and the AFTRA Health & Retirement Plans. The trustees of both organizations, which are separate from the union, have initiated formal communications regarding the issue of reciprocity and, ultimately merger between the plans, and discussions are progressing between the two organizations.
The meeting was recessed on Saturday, October 27, in memory of recording artist Louis Nunley, who recently passed away.
The meeting adjourned at 12:25 p.m. October 28.

Tuesday, October 23, 2012



PRE-ORDER "STANDING OVATION"

PRE-ORDER "STANDING OVATION" - RELEASED NOVEMBER 13, 2012 - AMAZON.COM (US)

PRE-ORDER "STANDING OVATION" - RELEASED NOVEMBER 19, 2012 - AMAZON.COM (UK)

Barnes & Noble.com

TRACKLIST

1. "Somewhere Over The Rainbow", made famous by Judy Garland in the musical Wizard of Oz. The song its self is about wishing and dreaming. It’s an apt song for me. Dreams can come true, depending on how hard you wish.

2. "The Winner Takes It All", this to me symbolises a relationship that has ended, it reminds me of a relationship I once had and this made me tearful when I had to sing it.

3. "Send In The Clowns", this is a very reflective and emotive song. I hope you like my version, it’s quite chilling.

4. "The Music Of The Night" featuring Michael Crawford, this is from Phantom of The Opera, so who better to accompany me than the Phantom himself! I found this awesome to perform.

5. "Bring Him Home", this moving piece is taken from Les Mis and to me represents a parents bond.

6. "Memory", straight from the musical Cats which was first performed by Elaine Paige. I was honoured to do a duet with Elaine on a TV special in 2009. It’s a great song to sing and based on the poetry of T.S Elliot

7. "As Long As He Needs Me", a classic piece from Oliver. A very insightful piece and rather emotional.

8. "All I Ask Of You", who would have thought that I would have been singing a duet with my hero Donny Osmond. I grew up with the Osmonds- especially Donny. I was thrilled.

9. "Out Here On My Own", this song is about somebody who wants to belong or fit it. This song brought my childhood back, it was a hard song to do as it reminded me of desperately wanting to fit in.

10. "You’ll Never Walk Alone", this is from Carousel. I’ve always associated this song with football and only a few weeks ago performed it at Celtic Park.

11. "This Is The Moment" featuring Donny Osmond, I really enjoyed performing this with Donny. I still can’t take it in. He was awesome.

Wednesday, September 19, 2012


Posted on Susan's Web Site


HTTP://WWW.SUSANBOYLEMUSIC.COM/GB/NEWS/ITEM/A_MESSAGE_FROM_SUSAN142/

NEWS

Personal Message from Susan

18th September 2012
Personal Message from Susan
Hello,
Well it’s been a very exciting and busy few weeks but first I want to say sorry for not keeping you all up to date more regularly.
I have just returned from a girls holiday in Benidorm which was great fun. Our holiday motto became, ‘What happens in Benidorm, Stays in Benidorm!’ 
It was a really great holiday with two of my closest friends. It was lovely to have some hot sun and be able to just relax by a pool, read books or visit the spa for some beauty treatments. We were staying in a very posh hotel in Benidorm (yes they exsist!) and we were thoroughly spoilt by the wonderful staff. I managed to get a wee tan from the sun so I was happy with that. Our scottish skin isn’t the best when it comes to going brown!
There was lots of laughter and I have some great memories. I had a ball and really enjoyed every moment. I’ve booked another little break in January so I can have a little winter sun.
As well as Benidorm I have had a few visits to Stobo Castle, I recently went with my sister in law and had a great time. Again, it’s lovely to just take a couple of days away and have a bit of pampering. The hotel and the grounds are just beautiful and although close to home you feel like you are in another world.
I’ve become a real fan of the theatre again. Especially now I’m a patron of the local Bathgate Regal Theatre.
I went up to Dundee on Saturday to watch a production called ‘Mill Lavvies’. That was an enjoyable evening and I also went to watch the local Bathgate showcase at the Regal a couple of weeks ago. There is so much untapped talent in West Lothian and it’s good to watch and support them. There was lots of speculation about what I was going to be doing there, but I just like sitting in the theatre and watching the performances without any fuss and to cheer people on.
It hasn’t all been a holiday! I have been busy at work as well.
The album recording is now finished. I had the opportunity to listen to some of the music today and I was really happy and excited by the songs I heard. It’s been a great experience recording this album and working with a new producer, in a new studio was also an exciting step.
Personally, I can’t believe that I’ve just made my fourth album. Where has the time gone? It’s flown by. I think if you’d said to me at the beginning of 2009 that by the end of 2012 I would have my fourth album coming out around the globe I would have said you were pulling my leg! I hope you all enjoy it as much as I enjoyed making it. This one has been a lot of fun to do.
As well as finishing recording I have also done a couple of photo shoots for the album and it’s great to be back in the swing of it again.
I’m looking forward to getting back on the road so to speak and visiting America. That feels like a second home to me, so being welcomed back with open arms, I can’t wait. I’m also planning on visiting some other places this year, so hopefully I will see more of you all.
I’m not going to give too much away at this point in terms of the album. Somethings need to be kept as surprises, but it won’t be too much longer before you find out more. However what I will say is watch this space…. It’s an exciting few months ahead and I can’t wait for you all to share this time with me.

Saturday, September 15, 2012

Here is Ms. Susan Boyle, worldwide super singing star, known for her beautiful performance of "I Dreamed A Dream", on BGT 2009.  Susan's 4th CD will be released in November 2012.  If you haven't heard her 3rd CD "Someone To Watch Over Me" be sure to go out and buy it.  You will truly enjoy every song on it.

Wednesday, September 12, 2012

Sony/Syco

To reach Sony

You can also reach us by mail: 
Attention: Sony Music Feedback 
Sony Music Entertainment 
550 Madison Avenue, 23rd Floor, 
New York, NY 10022-3211 


Below are some helpful links, twitter addresses and other to help promote Susan's 4th CD. Feel free to use them to get the message out about the CD.

The message below came from a radio station in San Antonio.  It is too bad Sony/Syco don't help promote Susan's CDs by getting a promotional copy to them.  She has made a lot of money for them.  I would hope they pay back.


Reply received from Info@call, as below

Grace -

The record producer has not seen fit to provide us with a promotional copy from which to play the songs of Susan Boyle.  If you have connections with her label, simply ask them to provide us with all cuts on the CD (#3, as noted by you, below).  Our email address is:


Thanks very much for your encouragement.

- John Barger
Owner & GM
KAHL AM/FM - San Antonio
210-341-1310


 I can understand why Sony has lost revenue.  This article mentions the figures and that customers are not happy with the service received from them.  I believe the reason why there is such a drop in revenue, is because they do not back up their stars, such as Susan Boyle.  There is no mention of her in this article even though over a million of her last CD "Someone To Watch Over Me" has been sold world-wide.  They do not publicize her music in the USA, even though there is a tremendous amount of interest in her. They do not see that her music is played on radio, even when fans request it over and over again.  They do not put out what people want to buy, like all the songs and shows she has done so far.  They do not answer calls and emails to them about their stars.  I never got an actual voice when I called NY Sony about radio play for Susan and I never got a reply to my messages and emails, which I sent to them about radio play. I never got a reply to all the messages I posted on their Media Director's Facebook.   I received no customer service what so ever.  A giant company like Sony, should be able to get their stars music played on USA radio, IMO. 



Postal Address:
Address Sony Customer Information Centre
Sony
United Kingdom Limited Jays Close Viables Basingstoke RG22 40SB
Phone 0845 6000 124
Sony USA: Phone (212) 833-6800
The Sony Corporation of America offices are located at
550 Madison Avenue, New York, NY 10022.

Send a message or two to Ann Marie below
fb page,
 http://www.facebook.com/AnnMarieThomson

Simon Cowell on twitter:  @SimonCowell!
@SYCO_NEWS London & Los Angeles
Simon Cowell, X Factor - UK/US, Labrinth, Susan Boyle, Leona Lewis, Il Divo, BGT, One Direction, Cher Lloyd
@AnnMariePR - @SYCO_NEWS
@SYCO_NEWS

@SimonCowell

@SteveMacProd Studio
A & R person, Nick Raymonde- email is nick.raymonde@sony.music.com
World Wide PR person niscp@twitter.com,
@JaniceForsyth Glasgow, Scotland
List of radio stations
The link below contains letters to and from Sony to radio stations. They show what transpired between the company and station as far as promotional products to play the stars songs on radio. Letters are from 2000 to 2005.
By George Howard
The link above was in the master link below
The author’s web page
Articles about Getting Music played on radio
Articles about Getting Music played on radio
September 15, 2011

How To Get Your Song On Commercial Radio

By George Howard
Complete report on radio in UK


Friday, August 24, 2012

Posted on Twitter

http://www.recordproduction.com/calum-malcolm.html


Calum Malcolm - Record producer and recording engineer 


Record producer video feature at Mixing Rooms Studios Glasgow

This is truly one of the most interesting and unique record producer and recording engineer video features that we've ever had the pleasure to record and we hope that you enjoy the video covering Calum Malcom's career as much as we have enjoyed putting it together. Nigel Jopson asked the questions.

Many thanks to everyone at the Mixing Rooms, Nigel Jopson, Scott Mathews for his great music and to Calum for sparing his time!

Record producer Calum Malcom in the recording studio
Picture by Mike Banks copyright RecordProduction.com

Friday, July 27, 2012

Crown Media Q2 Revenues Up As Hallmark Channel Ad Sales Improve

Crown Media Q2 Revenues Up As Hallmark Channel Ad Sales Improve:
The owner of the Hallmark Channel says that its original movies are still working — and advertisers like the network’s daytime programming plans which include a two-hour daily show Home And Family and Marie Osmond’s Marie. Crown generated net income of $13.5M, – 38% vs the period last year, on revenues of $86.7M, +13.9%. Much of the decline in earnings is due to interest and tax expenses, partly due to its debt restructuring. For common stockholders, earnings per share increased a penny to four cents. The company is thinly traded and not closely followed by analysts. Crown says that ad sales were up 15% in Q2 to $66.5M, which it attributes to the growth in its audience. Subscriber fees from pay TV providers were up 10% to $19.9M. Crown says that that advertiser CPMs for Home And Familywhich will feature former Entertainment Tonight host Mark Steines and TV personality Paige Davis — were as much as 100% better than what Hallmark had been collecting for its off-network daytime shows. It also says that Marie is attracting first-time advertisers including KitchenAir, Electrolux, Visa, and General Motors. “During second quarter, the casting developments for Hallmark Channel were significant,” says Crown Media Family Networks CEO Bill Abbott. Although Crown shares closed yesterday at a modest $1.73, the price is up nearly 43% in 2012, recovering somewhat from a steep decline in 2011.

Wednesday, July 25, 2012

Lawmakers Ponder: Are Big Media Companies Too Powerful?

That wasn’t the precise topic of the Senate Commerce Committee hearing today. (It had the boring title: “The Cable Act at 20.”) But the question — as well as ones about whether the federal government over-regulates media — bubbled underneath the discussion of problems including higher-than-inflation annual pay TV price hikes, and contract disputes that sometimes result in blackouts of consumers’ favorite channels. Committee Chairman Jay Rockefeller (D-W Va.) says that there’s too little competition in a system where pay TV customers “are still forced to pick larger and larger packages of channels no matter how few they watch.” His view resonated with Colleen Abdoulah, a witness who chairs the American Cable Association which primarily represents small and mid-sized cable operators. She says that broadcasters make “crazy payments for sports (rights) because they can be forced onto consumers…This abuse of power should be outlawed.” Mark Cooper of the Consumers Federation of America also called for changes that would enable pay TV customers to just buy the channels they want. “The only way to break the market power (of major networks and programmers) is to ensure consumers have choices.”
The discussion kept returning to retransmission consent agreements and disputes, one of the lasting legacies of the ’92 Act. Time Warner Cable’s Melinda Witner told lawmakers that it’s time to change some of the rules. They’ve resulted in “significant and ongoing consumer harm,” she says. In the first half of 2012 there’ve been 69 blackouts, +39% over all of last year, and “we can expect blackouts to increase in the future.” Broadcasters not only demand that distributors pay for programming that’s delivered over the air for free, she says, they insist that cable and satellite distributors carry channels that they don’t want. That results in “bloated packages and higher costs to consumers.” Since the major networks are must-have services, it’s “the opposite of a free market.”
But broadcasters countered that the current system is working. “Bad weather is a far greater source of consumer disruption” than retransmission consent disputes, CBS’ Martin Franks said. National Association of Broadcasters chief Gordon Smith noted that 75% of the blackouts this year involved just three companies: Time Warner Cable, Dish Network, and DirecTV. He’s not opposed to changes, though. He wants pay TV companies to notify subscribers well in advance when a potential disruption is coming, make it easier to switch services, and he wants them to provide refunds to customers for the days when they go without channels for which they’ve paid. Franks noted that changes in the law could create problems for CBS, which spends $5.5B a year for programming. “We need to be able to plan. And we know how this system works….I guess we prefer the devil we know.”

http://www.deadline.com/2012/07/senate-commerce-hearing-retransmission-consent-big-media/

Tuesday, July 10, 2012

http://www.4-traders.com/news/Bertelsmann-AG-BMG-Welcomes-Hitmaker-Steve-Mac--14405415/

Bertelsmann AG : BMG Welcomes Hitmaker

Steve Mac

07/09/2012 | 12:17pm US/Eastern
Songwriter-producer Steve Mac is one of the world's most successful hitmakers, and BMG is delighted to report that he has just signed an exclusive publishing deal for his Rokstone publishing catalogue with BMG Chrysalis UK. Over the course of his career, Mac, born in 1972, has had total of 58 Number One singles and albums and sales of over 140 million records.
Steve Mac's debut as a writer was on his second ever production, Gonna Give You Devotion, which reached number two in the UK charts in 1991. Since then, the artists he has worked with include such well-known names as The Wanted, One Direction, Susan Boyle, Westlife, Boyzone, Kelly Clarkson, Il Divo, Leona Lewis and JLS.
In the past 18 months alone, Mac has writing credits on 10 UK Top Ten hit singles including Glad You Came" by The Wanted, You Make Me Feel…" by Cobra Starship, Gotta Be You" by One Direction, Sparks" by Cover Drive, and Notorious" by The Saturdays. Steve Mac's latest US hits are You Make Me Feel..." by Cobra Starship (now over 2.4 million downloads) and Glad You Came" by The Wanted (3 million downloads).
BMG Chrysalis UK Vice President of A&R Ben Bodie said, We are delighted to be working with Steve Mac. His strike rate of hits is truly phenomenal. We are looking forward to demonstrating the value BMG's team can add."
Steve Mac said:I'm very excited to join the BMG Chrysalis family and to seek more opportunities internationally." David Howells, Steve Mac's manager, added: BMG Chrysalis impressed us above all with the quality of their team and the very close integration of their creative team in their offices across the world."
Alexi Cory-Smith, Senior Vice-President of BMG Chrysalis UK, commented, Steve Mac is a marquee signing. We are particularly pleased to welcome him in a week in which BMG Chrysalis has shares in all top three singles.

Friday, July 6, 2012


Susan Boyle: Honorary doctorate for singer


Singer Susan BoyleSusan Boyle was honoured by Edinburgh's Queen Margaret University

She was honoured by Edinburgh's Queen Margaret University, where she studied for a certificate in caring.
The degree is for work in society at large, which the university said reflected its commitment to the communities it serves.
It was presented to the West Lothian star by founding chancellor Sir Tom Farmer.
Brought up in Blackburn, Boyle made her name on ITV's Britain's Got Talent in 2009.
One YouTube clip of the performance where she sang I Dreamed A Dream, from the musical Les Miserables, has had 21.5 million hits.
Her first album in 2009, I Dreamed A Dream, was at the time the fastest-selling debut album ever.
With the release of two further albums, Boyle has since sold about 18 million albums worldwide and has 120 platinum and gold albums across 38 countries.
She has sung on TV in the UK, the US, Australia, Ireland and Japan, and performed for Pope Benedict XVI and the Queen.
The singer also performed live to half a billion people on the TV show China's Got Talent.

Thursday, July 5, 2012

Posted in Music Week


Steve Mac signs to BMG Chrysalis

5 July, 2012

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Songwriter-producer Steve Mac has signed an exclusive publishing deal for his Rokstone publishing catalogue with BMG Chrysalis UK.
Former peermusic signing Mac boasts a career total of 58 Number One singles and albums and sales of over 140m records.
His debut as a writer was on his second ever production, Gonna Give You Devotion, which reached number two in the UK charts in 1991. Since then among the artists he has worked with are The Wanted, One Direction, Susan Boyle, Westlife, Boyzone, Kelly Clarkson, Il Divo, Leona Lewis and JLS.
Mac has writing credits on 10 UK Top Ten hit singles in the past 18 months including:
· The Wanted – ‘Glad You Came’
· Cobra Starship – ‘You Make Me Feel’
· One Direction – ‘Gotta Be You’
· Cover Drive – ‘Sparks’
· The Saturdays – ‘Notorious’.
Steve Mac’s latest US hits are ‘You Make Me Feel….’ by Cobra Starship (now over 2.4 million downloads) and ‘Glad You Came’ by The Wanted (3 million downloads).
BMG Chrysalis UK Vice President of A&R Ben Bodie said, “We are delighted to be working with Steve Mac. His strike rate of hits is truly phenomenal. We are looking forward to demonstrating the value BMG’s team can add.”
Steve Mac said, “I’m very excited to join the BMG Chrysalis family and to seek more opportunities internationally.”
David Howells, Steve Mac’s manager, said, “BMG Chrysalis impressed us above all with the quality of their team and the very close integration of their creative team in their offices across the world. We believe that teamwork will make a difference as Steve continues to grow and develop his talent. We believe the best is yet to come.”
Alexi Cory-Smith, Senior Vice-President of BMG Chrysalis UK, said, “Steve Mac is a marquee signing. We are particularly pleased to welcome him in a week in which BMG Chrysalis has shares in all top three singles.”
Pick up today's new Music Week for the full story and more exclusive reaction from all parties.